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Re:PRINT (2017)

MARMALADE  Publisher of Visual Theory, London 

RE:PRINT edited by Véronique Chance and Duncan Ganley, brings together the work of twenty contemporary artists working in the field of expanded printmaking, to explore the relationship between print media, interdisciplinary art and new technologies.

A hybrid of art object, book, physical and electronic form, RE:PRINT addresses concerns of reproducibility, technical developments and inter-medial approaches in contemporary art. Through an interplay of image and text from a diverse range of practitioners, RE:PRINT critically rethinks the notion of ‘print’ as both artwork and published multiple and debates what is print in the twenty first century. 

 RE:PRINT includes work by: Jo Stockham, Jo Love, Steve Lovett, Rob Smith, Asim, Véronique Chance, Susana Gómez Larrañaga, Kelcy Davenport, Nerma Cridge, Fay Hoolahan, Richard Kearns, Annis Fitzhugh, James Hutchinson, Monique Jansen, Duncan Ganley, Mark Shaw, Nick Devison, Mark Graver, Meg Rahaim and Emily Godden. 
Designed in collaboration with CHK Design studio, London. Series editor: Gordon Shrigley.

Size: 130 x 200 mm H Print: Colour and black and white Pages: 264  Binding: Cold glue, flat lay binding Limited edition Artists' Book of 250 copies. 
ISBN: 978-0-9933373-2-1 

RePrint London Launch 8 June 2018.jpg
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